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This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation. teen patti pop, The schooner was washing slowly along under her three lower gaff sails only, and the frigate that carried everything but studding sails was speedily within ranging and hailing distance. She was the Amphion, without much beauty to detain the eye, unless the gaze climbed aloft where every sail was cut and set with the perfection that was the characteristic of the British man-of-war, and where the running and standing rigging was ruled as delicately against the sky as though exquisitely pencilled on paper, and on high, just under the gleaming button of the truck, shimmered the long pennant in fluctuating dyes like a thread of a girl's golden hair floating on the breeze. But her sheathing was rusty and ungainly with marine growths, and her sides wanted the paint-pot, but the run of the hammock cloths was as white as snow, and her row of cannon and the sparkle of uniform buttons and the colour got from the marine sentry posted here or there, heightened the war-like spectacle to the degree of a marine piece charged with the loveliness of finish and precision and imposing and stirring with the spirit of war.

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